Daadada is the forthcoming exhibition of the 2008/09 art scholarship holders of the renowned German academic exchange programme DAAD. It combines art work from recent postgraduates of The Royal College of Art, Goldsmiths, Slade School of Fine Art, Central Saint Martins, The Bartlett and the University of Westminster.
Crash is the title of an interactive multimedia installation that focuses on the ground zero of the recent financial crisis – the desks of bankers, brokers and traders. The installation puts the user in the panoptic position of a stock trader, who experiences and influences a particular representation of reality on his monitors.
At least since the blueprints of Jeremy Bentham it is known that the view (and it’s direction) is a representation of hierarchies as well. One who sees much rules much. In sociology this coherence had been widely explored, e.g., by Michel Foucault, yet the panoptic representation of moving images as an progressing process has far [...]
The subject of my final project at Central Saint Martins is what I would call Screen Realities. Primarily it addresses the electronic screens that had been invented with television in the early 20s of the last century and that are dominating our perception of the world nowadays (through the tele, monitors, projections and mobile devices) [...]
The trailer Buchstabenschubser produced last summer for the DEFA foundation is nominated for the Design Award of the Federal Republic of Germany 2010 (Designpreis Deutschland). The 2 minutes long 35mm clip already won the 2nd Design Award 2008 of the Federal State of Brandenburg.
The Vietnam War is remembered as the first war the United States lost and the trauma of the result for a nation. The conflict was different from previous ones in various ways. Some impacts on the western culture had been directly visible, monitored through the mass media. The ones on a subcultural level needed a [...]
3 by 17 meters projection surface, 5 projectors, 3 computers in a network and 34 interview clips in 4 different sizes. The installation that product designer and programmer Florian RĂĽhle and I produced for the Jewish Museum Berlin during the last two months can be seen at the prologue of the exhibition ‘Looting and Restitution’. [...]
Brussels’ Natascha Mehlhop Gallery is exhibiting my solo show The Metal Years. It includes three videos and two series of poster prints, the Vietnam Pop Maps and a triplet of the 3D helicopter models used for 26/20 (SOL Where is it?). The preview of the exhibtion is going to take place on June the [...]
The idea, these three A1 maps are based on, is strongly connected with the research for my MA dissertation. It is based on the two main hypotheses that 1) the Vietnam War was the first pop war and 2) the Vietnam War was like a catalyst for especially the American pop music. This goes back [...]